A Phenomenon Called Steve: A Discovery for Citizen Science
By Andrew May
Pat Price, Precognition, and “Star Wars”: A Reexamination of a Historic Remote Viewing Case
By Eric Wargo
Global Consciousness and the Coronavirus—A Snapshot
By Roger Nelson
This post was my response to someone who attempted to sketch out on graphing paper a system of sigils intended to manipulate mental or psychic energy. They were attempting to code and program with sigils. I wrote: It looks like you attempted to create a psychic circuit or cycle. It is very clumsy…Before I start, it is crucial that you correctly understand what circuits are. A circuit is: Traversing a graph such that not an edge is repeated but vertex can be repeated and it is closed also i.e. it is a closed trail. The second thing you should understand Read More
Dunabu wrote: The nature and ramifications of the “aether” by which telepathy is possible. Long story short, I’ve finally tapped into this thing, but I understand very little of its nature. What is it? All energy? Does this prove consciousness is a non-local phenomena? Is death even really real?… …By the way, anyone have any legit books or resources about telepathy/psionics? I must learn more theory and know everything!… I wrote: Dunabu wrote: …by which telepathy is possible… Does this prove consciousness is a non-local phenomena? Is death even really real?… I am a telepath and I work in Biotechnology. Read More
Commonly, people conceptualize subtle energies as ephemeral, ethereal, and intangible quintessential entities. That assumption means that those entities have no solid substance that we can hold. Various ideas about magic propose that quintessential entities facilitate magical operations and applications such as enchantments. Manipulation of quintessential entities is an intuitive, easy, and common method of augmenting an object’s attributes. A common technique is to anchor, imprint, or link a quintessential, ethereal construct to the physical object so that the physical object emanates the enchantment’s properties. That method of enchantment is like painting or gilding an object. It does not change the Read More
An arbitrary and random collection of symbols is not enough to create a consistent magical system. An issue with creating a magical system from random symbols is that there is no formal ontological framework. Consistent magical ontological frameworks can emerge from magical languages, and people can create magical languages through ordered and logical methods. A magical system is an abstraction comprised of a tuple of symbols and strings. Those strings encapsulate magical sigils, axioms, rules, and operations that relate sigils and entities. In classical, western, occult “magical systems”, there are formally articulated sets of axioms and rules. The dilemma of Read More
Rupert Sheldrake’s theory of morphic resonance challenges the fundamental assumptions of modern science. An accomplished biologist, Sheldrake proposes that all natural systems, from crystals to human society, inherit a collective memory that influences their form and behavior. Rather than being ruled by fixed laws, nature is essentially habitual.
In this book of “trialogues,” the late psychedelic visionary and shamanologist Terence McKenna, acclaimed biologist and originator of the morphogenetic fields theory Rupert Sheldrake, and mathematician and chaos theory scientist Ralph Abraham explore the relationships between chaos and creativity and their connection to cosmic consciousness. Their observations call into question our current views of reality, morality, and the nature of life in the universe.
After rats at Harvard first escaped from a new kind of water maze, successive generations learned quicker and quicker. Then rats in Melbourne, Australia learned yet faster. Rats with no trained ancestors shared in this improvement. Rupert Sheldrake sees these processes as examples of morphic resonance. Past forms and activities of organisms, he argues, influence organisms in the present through direct connections across time and space.Individual plants and animals both draw upon and contribute to the collective memory of their species.